En Plein Air Competition Sept. 17th-20th
Coming Together Literary Workshops Sept. 15th-18th, Gord Grisenthwaite
Sept. 19th Coming Together Artists Fair Workshops
Beading, Kylie Pehtategoose
September 14th-20th/26 Installation Creation: JP Longboat, Don Russell, Sarah McCullough, Patricia Fell
Sunday, September 20/26, Live Performance, JP Longboat, Don Russell

Gord Grisenthwaite is a mainly-urban, mixed-blood nłeʔkepmx, and member of the Lytton First Nation. He has earned an MA in English Literature & Creative Writing at the University of Windsor (2020). He also completed his BA (Hon) at the University of Windsor in 2018, almost 30 years after he started his post secondary education. His second book, Tales for Late Night Bonfires was released September, 2023 and his first, Home Waltz, was a finalist for the 2021 Governor General’s Award for fiction. His work has appeared in Prairie Fire, FreeFall, Exile Quarterly, The Antigonish Review, Our Stories Literary Journal, Prism International, ndnCountry, Offset 17, Bawaajigan: Stories of Power, and Food of My People. His work has earned a number of prizes, including the 2013 John Kenneth Galbraith Literary Award. https://www.gordongrisenthwaite.com/
JP Longboat is Kanyen’kehà:ka (Mohawk), Turtle Clan from Six Nations of the Grand River, he grew up along the River Ouse, Haldimand Deed territory, Ontario. JP has a BFA degree in Visual Arts from the University of Michigan and Ontario College of Art and has worked as a visual artist, graphic designer, actor, storyteller dancer and choreographer. He has performed, danced and collaborated with many professional performing companies across Canada. JP has also served as Program Officer in Dance at the Canada Council for the Arts and has been on the faculty of Aboriginal Arts at the Banff Centre for the Arts. His work emanates from the cultural traditions of his people: language, land and territory, teachings, and stories shared within Longhouses and lodges, gatherings and ceremonies. JP creative process is grounded in Indigenous artistic experience, practice, and legacy. https://www.instagram.com/jplongboat/?hl=en


Sarah McCullough works with textiles, movement, plants, and tissue to re-create moments and note the connections they make. Her artistic education comprises a full and busy childhood learning many and diverse artistic forms in Windsor & Detroit. This past year has been devoted to dancing, costume design, and construction for HNM Dance Company’s 30th anniversary performance gala, and she is looking forward to bringing that experience into other creative efforts. https://hnmdance.ca/bios
Don Russell is a multidisciplinary artist of Acadian and Mi’kmaq heritage. Russell was born in Stephenville, Newfoundland in 1970 and currently resides in Cambridge, Ontario. “I am from the West coast of Newfoundland, typically referred to as the French shore, but also rich with Mi’kmaq culture and history. The forests in this part of the province are thick with spruce, birch and balsam fir. In areas the forest is nearly impenetrable as trees mesh together and form a barrier of branches, twigs and an indistinguishable haze of foliage. My ancestors have lived on this land for untold generations and my connection to this geography and cultural heritage infuses my work at every turn. I explore the landscape and our relationship to it.” Russell’s artistic practice encompasses painting, printmaking and land art where he utilizes key elements of stone and earth to create monumental installations. His work is represented in private, public and corporate collections across Canada, notably among them is the Governor Generals’ Residence Rideau Hall in Ottawa, the University of Toronto Law School and the University of Guelph. https://www.donrussell.ca/bio


Patricia Fell received a Bachelor of Fine Arts (with distinction), Department of Theatre (Concordia University), and a Masters of Educational Psychology, specialization in design and integration (McGill University) both in Montréal, Québec. Patricia’s career as a professional artist for close to 40 years has embraced award winning design for the theatre, education, and the promotion of social injustice issues. Her extensive background in community based arts initiatives place her in an educated position from which to project a unique and achievable production outcome. Her body of work includes experience in design for the theatre, installation art, performance art, production management, and all forms of art and craft.
Sept. 15-18 Gord Grisenthwaite: Join Gord for 4 literary workshops:
Interfusional Storytelling
This workshop will demonstrate how to blend written and oral storytelling methods to develop an Interfusional story.
Channeling Anger
At times we’ve all been “[M]ad as hell, and [we’re] not going to take it any more.” In this workshop we will re-channel anger’s potential destructiveness to creative fuel.
Magical Realism and Fabulist Fiction
This workshop will explain the differences between Magical Realism and fabulist fiction, and study aspects of Magical Realism as practiced by Gabriel García Márquez and Thomas King.
Writing Trauma
In this workshop we will consider how scenes of trauma depicted in short fiction and literary essays work or fail, and how to build a traumatic scene that conveys compelling trauma that doesn’t trivialize the event or its characters.
Sept. 19 Kylie Petahtegoose (Beading: Basics to Advanced)
Workshop: Kylie will share her mastery of different beading techniques to enable you to create your own unique keepsake.
Louise MacDougall (Copper Work)
Workshop: Louise will teach you how to use sheet and wire copper to create individually decorated hooks and earrings.


Louise is a Windsor based artist who studied Craft and Design at St. Clair College and her creative journey has had many twists and turns over the last 40 years. She has taken many classes to improve her skills, taught many classes, and was a founding member of the Southwestern Ontario Basketry Guild. Besides being a master basket weaver, Louise has also loved the art of jewelry making. She spends a lot of her time on Pelee Island where she is inspired by the island and its diverse eco system. She loves to incorporate found objects from the beach: beach glass and stones will often find their way into her jewelry.
